In the broadest and traditional sense, fonts can be divided into two categories which are sans-serifs and serifs. A serif is a stridual stroke that is applied to the stem of a letter (which can also be referred to as”the “feet” of a letter). If a letter is adorned with this ornamental stroke, it’s referred to as serif font, and if it’s not, it’s called serif fonts are also known as sans-serif (sans meaning”without”).
Layouts for books are and vastly composed of serif fonts. Serifs are thought of as attractive first and foremost but they could serve a more important use. While a sans-serif font looks well on larger-sized text (such like traffic signposts posters, brochures or shop signage) but for a seamless readability that is uninterrupted,, a serif font will always be the best option. Numerous studies on readability have led at the same conclusion: serif fonts are more readable due to strokes that are added along the central beams and top bars give each character a distinct appearance. They also assist the eye traverse a line. The more distinct letters are more easy for the eye to identify quickly. Letters with serifs have been the preferred font for newspapers, books, and magazines for a long time, because of their historical precedent as well as the perception of accessibility. Serif fonts appear much older or more conservative in contrast to sans-serifs that are widely considered as contemporary and casual.
Serif fonts, however, come in numerous shades. Based on the book’s genre, there’s many things to think about before choosing a font. Serif fonts are usually divided into four or three categories, according to their development over time. We’ll go over them below.
Old Style serif typefaces which date all the way to 15. century, are among the oldest and most classic fonts that you can come across in the present-day publishing on desktops. The good news is that these fonts have been able to endure the test of time. Many of the most popular typefaces currently (such like Adobe Jenson, Centaur, and Goudy Old Style) belong to this category and are frequently employed to layout books. Old Serif fonts are also classified in Humanist and Aldine fonts, but we’ll not go into it as the distinction is a bit controversial, as some historians think it’s an abstract distinction, and isn’t solely based on stylistic or formal differences.
Next , there are fonts which belong to those of the “transitional” period. They’re also known as baroque fonts since they began to be popular around the middle of the 18th century, and continued to be popular until the turn of the 19th century. The most prominent characteristic of these fonts is the fact that the distinctions between thin and thick lines are more noticeable (especially when compared with old-style fonts, however less so in comparison to contemporary fonts). Transitional fonts are ones that are typically found in the latest books. They’re usually well-balanced and easy to print and simple to use in smaller points on computer screens. Examples include Times New Roman, Baskerville and Georgia. While some fonts that are temporary like Minion Pro are less than 40 years old, they’re strongly rooted to the tradition of fonts. They are described as transitional (or baroque) fonts.
For fonts that possess a certain modern look, Modern serif fonts come into the game. They are also known as Didone is frequently used for this typeface family. These fonts do not fear contrasts and pose some challenging print-presses with some difficult. They’re distinguished by a stark contrast between thin and thick lines. They’re as provocative and sexually attractive as a font could ever be. Serifs (the hairlines) tend to be extremely thin, whereas vertical lines are extremely heavy. The most famous typeface is without doubt Didot (by the well-known French typeface and printing family Didot) because of it being featured in numerous publications of fashion (such such as Vogue and Harper’s Bazaar). Other notable examples of this family include Bodoni as well as Bernhard Modern. Contrary to United States, Didone fonts are frequently used for general purpose body text, i.e. Book layouts in Europe They’re definitely worth looking into. Be aware that they should only be printed on high-gloss papers with a contrast where the thin and thick lines is clearly discernible and the proper optical size is crucial when using these fonts. Try them out, before putting together your book with a contemporary serif font. When used correctly, they can make a huge difference, however if misused they’ll render your book inaccessible.
There’s an additional category known as Slab Serifs (also called mechanistic, old-fashioned and Egyptian). They were originally designed to be eye-catching letterforms to be used on posters. They come with very large serifs, and tend to be as large than the horizontal lines. They are also referred to as sans-serif typefaces with additional serifs. Although certain fonts like Rockwell and Courier are still popular but they aren’t frequently employed in the publishing sector. They are typically utilized for use in the programming environment of software due to the wide range of monospace fonts that go with this design. Slab serifs are beneficial if your book contains massive chunks of text which are printed in small sizes of points.
Then, a list of the fonts that are typically most popular for certain genres. This list isn’t by any necessarily a list of fonts that can be carved in stone, however it can serve as an initial point of reference when choosing the font for your next novel. If you are looking for premade covers click here.